Two friends of ours, Ettore “The Greek” Palaiologos and Giacomo “The Commodore” Coburn, have lent money to two young aspiring porn producers, Aiden and Jackson. When Aiden and Jackson’s debut video is delayed, and they fail to pay the weekly vig, Ettore and his enforcer, Alex, visit them. As Jackson is sent to retrieve the money, Ettore and Alex wait awkwardly with Aiden. Ettore then decides to try out the tools Aiden bought with his money.
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Although Alessandro ‘Alex’ amply, and as almost always appropriately, wisely warned his daunting, though dumber, dons -notably uncle Hector and capo Coburn- that former (dropped-out) classmate Aiden always was an airhead, adventurous; naive bad luck magnet and obviously remains a hopeless klutz, who starts anything but finishes nothing, and probably dragged Jackson into an ill-considered ‘dream’ project bound to turn into a minor nightmare, the economics-graded enforcer’s astute advice was ignored and loan shark Hector signed the crazy credit contract with the clueless amateurs, alas finding Alex all too right, as usual. Obviously obliged to obey the orbs ordeal orders from the credit don, crafty yet comparatively kind Alex does think up alternatives, realizing Aiden and companion can’t be expected ever to earn enough to pay back his debt regardless of the violent, pervy perps-pair’s pantless-puerile-prey-posterior-pounded ‘pressure’, which would at best serve the purpose of deterring other dubious debtors at the rotten risk of rascal-rears-red-raw-ravaging rod-rides damaging the dues-duly-doleful-derriere-disciplined mediocre mutts as models/actors, but(t) the duly-dreaded dons already have a terrifically-terrifying reputation only ignored by ignorant idiots like Aiden, so nothing notable is to be gained there either.
Instead, Alex makes sure the upended comeuppances are filmed properly, having consulted a cinematographically-competent comrade, hoping for the financial potential in porn, or probably within the mob – his network of enforcers and their dons is dreaming of a preventive tool to scare dubious debtors without doing deplorable damages, which usually affect the repayment capacity, and this seems a perfect opportunity to test the ‘theatrical’ technique of tactile-trouserless-thrall-tail-torment-takes to terrify thralls timely. After a consigliere contributes editing clues how clips can be kept legal for public use, Alex comes up with a brilliant business plan, as the porn production value covers costs -no more, too much competition with better models on the BDSM market- but(t) mob market research shows the use as safe, ‘soft’ enforcer threat tool, combined with cryptic yet clear messages Alex craftily comes up with, can earn more annually, probably quarterly, maybe even monthly (if they go international) than the dons hoped to get from ‘co-producing’ saucy fiction in their territory’s whole semi-amateur video sector.